Ok, with a title like that I should really be writing up the Louvre’s satellite branch in Lens (which, by the way, can you believe that Delacroix’s Liberty Guiding the People painting was defaced with the “ae9/11” graffiti (in Lens)? Whether you like that painting or not – it is an inherent image of France, having been on the 100-Franc note before they switched to the Euro. Here’s the scoop from the Guardian, but apparently the painting’s not permanently damaged).
But parenthetical tangents aside, this “Focusing my Lens of the Louvre” title is a continuation of this weekend’s post when I touched on the imminent THATLou website. Whoopla is certainly in order, but not till it’s launched in early March. Till then I’ve been posting photos that may or may not be used in the final www.thatlou.com site.
Besides the pleasure of working with Jenny Beaumont, web-designer extraordinaire, the most rewarding part of the site has been to put time aside to actually look at the Louvre for the Louvre itself. Not visiting for the art, not visiting to create a treasure hunt (all of which are of course sublime visits unto themselves). But visiting exclusively to ponder the building itself is a pleasure I have not had since I first moved to Paris and used to go many times a week (I lived in the Marais and worked in St Germain des Pres so the 65,000 sq meters were where I made my pit stops).
It breathes history whilst integrating a sharp-edged, geometric modernity. IM Pei becomes more and more startlingly brilliant with each photographic visit that I’ve made. So without more blather, I’ll leave you with the images, this last one by El Argentino being my fave with its intentionally retro feel. The Parisian light is palpable. But I said I was going to zip the lip, right?